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Entitled to spend? No way – MiamiHerald.com

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Entitled to spend? No way
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I recall watching the 2003 Martin Bashir documentary, Living with Michael Jackson, in which the pop star talks about missing out on playing with other ...
The life and career of Michael JacksonVentura County Star
Media on standby for Jackson memorial plansThe Associated Press

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Book Reviews - Jul 15, 2008 12:40 - 1 Comment

Book Review: Documenting the Documentary

Documenting the Documentary: Close Readings of Documentary Film and Video
by Barry Keith Grant and Jeannette Sloniowski
ISBN: 0-8143-2639-0

Coming Soon!

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Documentary Film Reviews - Jul 18, 2008 10:46 - 0 Comments

New Documentary: Man On Wire

Philippe Petit (born August 13, 1949) is a French high wire artist who gained fame for his illegal walk between the former Twin Towers in New York City on August 7, 1974. [1]

He used a 450 pound cable to do so and also a custom made 26 foot long, 55 pound balancing pole. Tight-rope walker, unicyclist, magician and pantomime artist, Philippe Petit was also one of the earliest modern day street jugglers in Paris in 1968. He juggled and worked on a slack rope with regularity in Washington Square Park in New York City in the early 1970s. Petit is one of the Artists-in-Residence at the Cathedral of St. John the Divine in New York City. Other famous structures he has used for tightrope walks include that Cathedral, The Sydney Harbour Bridge, the Louisiana Superdome, and between the Palais de Chaillot and the Eiffel Tower. Petit currently lives in Woodstock, New York. A documentary film named “Man on Wire” by UK director James Marsh dealing with Petit’s WTC performance won both the World Cinema Jury and Audience awards at the Sundance Filmfestival 2008. The film also won awards at the 2008 Full Frame Documentary Film Festival in Durham, N.C.

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News - Mar 17, 2010 21:00 - 0 Comments

SXSW Announces First Batch of Winners

SXSW2010.jpg

Jeff Malmberg's Marwencol, a profile of Mark Hogencamp, an upstate New York man who, after suffering brain damage in a barroom brawl, transforms his trauma into creativity, in the form of doll-scale World War II-era town in his backyard, earned the Grand Jury Prize for Best Documentary at SXSW. LA Weekly film critic--and Documentary Feature juror--Karina Longworth had this to say about the film: "Marwencol stood out from the competition pack for a number of reasons, but for me the most refreshing thing about it was that it seems to fuse several different strands of contemporary nonfiction filmmaking that rarely ...

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